
The Hexatonic Scale - What it really means for your Guitar Improvisation
The Hexatonic Scale: Unlock Your Guitar Improvisation Potential
If you’ve ever felt stuck in your pentatonic boxes, playing the same licks over and over, you’re not alone. Many guitarists hit this plateau, but the good news is there’s a simple way to break free. The answer lies in adding just one note to your pentatonic scale, creating what’s known as the hexatonic scale. In this blog, we’ll dive into what the hexatonic scale is, how to use it, and why it can transform your guitar solos into something truly melodic and expressive.
What Is the Hexatonic Scale and Why Should You Use It?
The term "hexatonic" might sound fancy, but it simply means a scale with six notes ("hexa" is Greek for six). While there could theoretically be many types of hexatonic scales, the most common and practical one for guitar improvisation involves adding the ninth degree to the pentatonic scale. For example, in the key of E minor, you would add the note F# to your existing pentatonic pattern.
This single addition opens up an array of melodic possibilities. The ninth note doesn’t clash with the scale, but instead adds a sweet, singing quality to your lines. By incorporating the ninth, you create fresh, musical phrases without completely abandoning the familiar pentatonic framework. It’s a small tweak with massive results for your improvisation.
Actionable Tip #1: Visualize and Land on the Ninth
One of the simplest ways to start using the hexatonic scale is to visualize where the ninth note falls within your pentatonic pattern. Play through your E minor pentatonic scale, and identify the F#. Then, practice landing on that note instead of the root note, E. This will give your solos a fresh melodic flavor.
Landing on the ninth instead of the root prevents your playing from sounding repetitive. The root note is stable, but overusing it can make your solos predictable. The ninth, on the other hand, adds subtle tension and interest without sounding dissonant. Try it out by improvising over a backing track and aiming to resolve your phrases on the ninth. You’ll be amazed at how this small shift changes the feel of your solos.
Actionable Tip #2: Incorporate B Minor Upper Structures
Another way to spice up your hexatonic improvisation is by thinking in terms of upper structures. Specifically, try incorporating a B minor triad (a fragment of three notes: B, D, and F#) within your E minor pentatonic scale. This creates a melodic mini-pattern that fits beautifully over many chord progressions.
The B minor triad adds structure and melodic depth to your playing. Guitarists like Eric Johnson and Joe Bonamassa often use this technique to craft soulful, expressive solos. To practice, alternate between your pentatonic scale and the B minor triad while improvising. Gradually increase the speed and complexity of your lines as you build confidence.
Actionable Tip #3: Add the D Major Triad for a Gilmour-esque Vibe
David Gilmour fans, this one’s for you. Instead of trying to outline every chord with its corresponding triad, focus on weaving in the D major triad (D, F#, and A) while playing in E minor. This triad, built on the flat seventh degree of the scale, creates a melodic “friction” that’s both emotional and engaging.
When you incorporate the D major triad, you’re not just playing a scale—you’re telling a story. It’s a technique Gilmour uses intuitively to craft his iconic solos. Practice switching between the D major triad and your pentatonic or hexatonic patterns, and you’ll start to hear that unmistakable Gilmour vibe in your own playing.
Remember, the goal isn’t to overthink the theory but to use these triads to spark new melodic ideas. Play around with them, and let your ear guide you toward the most musical choices.
Take Your Guitar Playing to the Next Level
The hexatonic scale is more than just a theoretical concept—it’s a practical tool that can revolutionize your approach to guitar improvisation. By adding the ninth note to the pentatonic scale and experimenting with upper structures like the B minor and D major triads, you’ll unlock new melodic possibilities and break free from your old habits.
If you’re ready to take your playing even further, I invite you to book a free strategy session with me at Total Guitar Transformation Academy. Together, we’ll develop a customized plan to help you reach your full potential as a guitarist. Don’t stay stuck—start transforming your playing today!
